THE CHRONICLES OF NARNIA: PRINCE CASPIAN (PG) is the most martial of the 'Narniad', and director Andrew Adamson has even added another battle for good measure.
It’s a kind of cut-down Lord of the Rings for the younger set, and as in Tolkien’s Christian-inspired fantasy (though this is less evident in Jackson’s film versions) Grace abounds: salvation is never entirely about heroism and courage, but about (for our part) being disciplined, obedient and faithful and able to grow through the setbacks and tragedies.
With a darker tone, set early on by the haggard and suspicious Narnians who have been in hiding from cruel oppressors under an evil king, the film is more knowing, less innocent, even wittier than its predecessor. This is thoroughly enjoyable and accomplished filmic storytelling.
With the best Aslan yet, Christian symbolism and metaphor abound, but beyond the battle against evil, you have to be looking for it, and as always, you have to be careful in drawing Biblical parallels and moral points not to destroy the poetry of the story (as Lewis himself said).
Geoffrey Stevenson
Geoffrey Stevenson is a popular speaker and trainer of preachers. He writes, teaches and speaks on theology and the practice of communication today. Co-author of new book Preaching with Humanity.
THE CHRONICLES OF NARNIA: PRINCE CASPIAN (PG) aims for a much darker, less cutesy approach than The Lion, the Witch and the Wardrobe, adapting the second book in CS Lewis' classic series into ariveting, often brutal drama about a young prince (well-played by newcomer Ben Barnes), who discovers that peace may be a better option than a war between his Telmarine race and the Narnians they have tried to obliterate for 1,200 years.
With effects that are much more seamless and battles that are much edgier, this episode features rich and complex characters as well as some lively humour. And the story draws out significant themes that we rarely see in Hollywood movies: namely that you sometimes can't find the power within yourself to solve a problem.
You may need to reach out to your friends, and maybe someone even bigger (opens 26 Jun).
Rich Cline
Rich Cline is editor of idea magazine and is a professional film critic.